Technology

 

What does 'bias' mean?

How is bias usually applied?

What is meant by ‘Class A’, ‘Class B’ and all that sort of stuff?

What is Impedance? Is it the same as resistance?

What is a Push-Pull Amplifier?

What is a Single-ended amplifier?

What is S.R.P.P?

Why do some people use mF for microFarad and others use uF for Capacitance Units?

What are Matched Valves and do I need them?

What is the difference between Pink and White noise?

 

 

What does ‘bias’ mean?

Think of a triode valve. You have a cathode, an anode and a control grid. The potential on the control grid can control the flow of electrons through the valve, but only when it is negative with respect to the cathode. If the grid is at zero volts or is positive, it is unable to repel electrons and hence cannot control the current flow.

It is therefore necessary to put a standing negative potential on the grid such that it remains at least slightly negative at the most positive expected excursion of the grid signal. This negative potential is know as the grid bias, or just bias. The bias also sets the quiescent current through the valve and hence it's operating class.

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How is bias usually applied?

Think of a triode valve. You have a cathode, an anode and a control grid. The potential on the control grid can control the flow of electrons through the valve, but only when it is negative with respect to the cathode. If the grid is at zero volts or is positive, it is unable to repel electrons and hence cannot control the current flow.

It is therefore necessary to put a standing negative potential on the grid such that it remains at least slightly negative at the most positive expected excursion of the grid signal. This negative potential is know as the grid bias, or just bias. The bias also sets the quiescent current through the valve and hence it's operating class.

How is BIAS applied?

Bias is applied by two different means. Firstly, it is possible to configure a dedicated negative supply from the amp's power unit and use this to set the grid negative. This is usually how bias is set for output valves and since valves differ in their characteristics, a measure of adjustment is usually provided for each valve so that the bias voltage can be adjusted to give identical quiescent currents in each valve. This is very important in push-pull circuits as any imbalance can result in output transformer core saturation and hence distortion.

Bias may also be applied by putting a suitable resistor between the valve's cathode and earth. The current flow through the valve causes a voltage drop across this resistor, placing the cathode at a positive potential. This means that the grid will be negative with respect to the cathode, providing bias. The presence of a resistor in the cathode circuit reduces the gain of the stage, so it is normally bypassed with a capacitor so that alternating current (the signal) sees a low impedance to earth, maintaining the AC gain of the stage. This type of bias is self-regulating, since an increase of valve current will cause a larger voltage drop across the resistor which will reduce the current. This method is invariably used in audio applications for biasing small signal valves.

The two bias schemes can be used together in a compound bias arrangement as in WADs KEL34 and KiT/Kat88 output stages.

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What is meant by ‘Class A’, ‘Class B’ and all that sort of stuff?

This refers to the portion of the signal waveform that is amplified by a valve. In Class A, the entire signal waveform is amplified. Quiescent current is set at a level such that anode current continues to flow even on the most negative excursion of the control grid voltage, so in Class A, the valve never goes into cut-off. In Class B operation, a valve has no quiescent current and only conducts during the positive half-cycle of the signal.

This is only of practical audio use when used in push-pull configuration. Each valve in a push-pull pair amplifies half of the signal waveform, one valve amplifying the positive-going half-cycle and the other valve the negative-going half-cycle. Each valve hands over to the other at the zero crossing point. This handover gives rises to crossover distortion emerging from the fact those tiny differences between components make it impossible to synchronise the changeover perfectly. The payback for Class B operation is that the circuit is much more efficient, producing more power with less waste heat. Class AB, unsurprisingly, refers to an intermediate situation where each valve goes into cut-off for less than half the signal cycle. Quiescent current is set between Class A and Class B limits.

This mode allows the valves of a push-pull pair to operate in Class A up to a certain output level, moving toward Class B as output increases. This is a compromise often used in audio amplifiers, since crossover distortion is more objectionable at low levels of output. You may see references to Class AB1 and Class AB2. The suffixed numbers simply tell us whether the control grid of the valve is allowed to swing positive and hence conduct grid current (AB2) or not (AB1). Since both the valve itself and the driver circuitry has to be carefully designed to permit grid current to flow, you will not see Class AB2 operation often. Class C operation occurs where anode current flows through the valve for less than a half-cycle. This is an efficient operating mode but gives rise to high distortion.

It is used mainly in RF circuits where the original waveform can be regenerated by suitable circuitry. Classes of operation beyond C denote digital amplification and are beyond the scope of this answer.

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What is Impedance? Is it the same as resistance?

In the following formulae, we will use * to denote multiplication, / to denote division and + and - having their usual meanings.

Resistance and impedance are measured in the same units (ohms) but they are not quite the same. Resistance is a measure of the ability of a material to oppose the flow of current. It is determined from Ohm\'s famous law which states that the resistance of a conductor is equal to the voltage across it divided by the current flowing through it. Resistance is usually applied to DC current circuits whereas Impedance, which is dependent on frequency, is used in AC circuits. Ohms Law is usually stated as....

V=I*R

So a device (resistor) with a resistance of 10 ohms and having a current of 1 amp flowing through it would have a voltage of 10 volts across its ends, thus

V=10 * 1

Resistance works identically for AC and DC.

There is another type of opposition to current flow which is dependent on whether the applied voltage is AC or DC and, indeed, on the frequency of the AC wave. This frequency-dependent opposition to current flow is called REACTANCE and it arises from physical mechanisms beyond the scope of this answer. Inductors and capacitors exhibit this reactance but differ in the way it is determined.

For an inductor

Xi = 2*pi*f*L

where Xi denotes inductive reactance, pi is 3.142, f is the frequency of the AC supply in Hertz and L is the inductance measured in Henries. So inductive reactance increases with frequency.

For a capacitor

Xc = 1/(2*pi*f*C)

where Xc denotes capacitive reactance, pi is 3.142, f is the frequency of the AC supply in Hertz and C is the inductance measured in Farads. So capacitive reactance decreases with frequency.

IMPEDANCE is simply the sum of the reactance of a component and any resistance it may have.

Example:

A 10 Henry inductor has a DC resistance of 200 ohms. What is its impedance at a supply frequency of 100 Hz?

Xi = 2*pi*f*L

Substituting:

Xi = 2*3.142*100*10 = 6284 ohms

Impedance = 6284 + 200 = 6484 ohms

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What is a Push-Pull Amplifier?

Named for the configuration of the output stage. We saw in another FAQ answer that Class B operation is efficient, but suffers from the disadvantage of outputting an amplified, half-wave rectified version of the original signal.

This won't do for Hi-Fi!

Fortunately, we can get around the problem by doubling up on valves. One valve is fed with the signal to be amplified and the other is fed with an inverted signal. During the first half-cycle, the first valve conducts and during the second half-cycle the second valve does so. If we now invert one of the outputs and add them together, we have neatly reconstituted the original waveform. This is the basis for the push-pull amplifier. The first inversion is carried out by the phase-splitter and the second by the output transformer.

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What is a Single-ended amplifier?

Named for the configuration of the output stage. A single-ended output stage is so arranged that the output device amplifies the entire signal. There is no phase splitter and the output transformer primary is used as a straightforward anode load. SE output stages operate in Class A by definition. The circuitry of a single-ended amp tends to be simpler than a push-pull design and the electrical/magnetic design characteristics of the output transformer is also more straightforward. The downside is that it becomes more difficult to obtain higher levels of output power, as Class A is the least efficient operating mode. The output transformer primary also has to carry the quiescent direct current for the output valve and consequently needs to be both physically large and constructed with an air gap in the core to avoid saturation. These design compromises again limit the power achievable.

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What is S.R.P.P?

The best description we have found can be read at:

http://www.tubecad.com/may2000/

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Why do some people use mF for microFarad and others use uF for Capacitance Units?

The Greek letter mu (like a u but with a tail starting the letter) is the correct symbol for micro. Mu isn’t available on many keyboards so m is often used instead., as millifarads (m is used for milli in the SI system) are not generally used in electronics (although it is a scientific unit). Others use the keyboard letter u for the Greek letter mu as it looks similar and can`t be confused with any other notation.

In older circuits you’ll often see mmf which is not m for milli either but means million millionths of a farad, or pF picofarads as we know them now.

The units are,

1 Farad (F) =

1000 milli Farad (mF - not generally used) =

1000 000 micro Farad (uF) =

1000 000 000 nano Farad (nF) =

1000 000 000 000 pico Farad (pF - old mmF)

Some capacitor values may be marked in alternative ways such as a number followed by K being used to show thousands of pF (= number of nF).

Most formulae use the full Farad, so convert the value for calculations. The units relate by thousands/thousandths so remembering their names, including milliFarads, is useful for this.

Example,

10,000pF = 10nF = .01uF = .00001mF = .00000001F

All we do is move the decimal point 3 places at a time. If doing a calculation (i.e. to find the impedance of the capacitor at a known frequency) the last value, expressed in Farads, would be the one to use.

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What are Matched Valves and do I need them?

Each type of valve works within a set of electrical parameters. These include anode voltage, screen voltage (if applicable) and grid bias. When a signal is applied to the grid it is amplified by a designed amount. These values are termed the valve's "characteristics" and are different for each type of valve. There is a tolerance in manufacture, which means that although they meet their type specification, they will vary somewhat between samples.

Valves are normally checked on a valve tester, such as the AVO or Hickock range, against a set of "characteristics". The fixed settings for the heater, anode voltage, screen voltage, and grid bias are set on the machine.

A signal measured in mA current is applied and the resultant amplification read as mA/V. Thus 2 variables are recorded for each valve, current, in mA, and "slope" in mA/V. Although the valve is being measured at only 1 point on it\'s response curve this usually gives a good indication of it`s performance for the purpose of establishing good/bad and matching with other valves for use in pairs or quads.

If the operator is willing, or is using more sophisticated matching equipment, the valves can be compared at more than one point and a response curve built up which can be compared to the valves published "characteristic curve".

In an amp the first stage amplifier valves can be matched between channels to provide a similar level of amplification between channels and so help the stereo performance. The main and most essential use of matching though is when using pairs of output valves in "push pull" output stages. Here the 2 valves must share the work equally. If one draws more current than the other under the amps operating conditions it will cause an imbalance in the output transformer, which will partially saturate it, and upset it's response. If the valves are very badly matched one may draw increasing current until it fails catastrophically.

In practice, we should aim to match our 2 variable values of mA current and mA/V slope to within 10% to make push pull pairs. This is more critical in some designs than others but is a usual tolerance for cathode ("automatic") bias amps. Match current as priority, to maintain transformer balance, then slope to match amplification.

It is here, incidentally, that we see the special need for matched quads of OP valves in parallel push pull amps like KEL80. To share the work equally each valve of a pair of valves on each "side" of the transformer need to be matched, then each pair needs to match the pair on the opposite side.

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What is the difference between Pink and White noise?

White noise is a sound that contains every frequency within the range of human hearing (generally from 20 hertz to 20 kHz) in equal amounts.  Most people perceive this sound as having more high-frequency content than low, but this is not the case. This perception occurs because each successive octave has twice as many frequencies as the one preceding it.

For example, from 100 Hz to 200 Hz, there are one hundred discrete frequencies. In the next octave (from 200 Hz to 400 Hz), there are two hundred frequencies.  White noise can be generated on a sound synthesizer.  Sound designers can use this sound, with some processing and filtering, to create a multitude of effects such as wind, surf, space whooshes, and rumbles.

Pink noise is a variant of white noise. Pink noise is white noise that has been filtered to reduce the volume at each octave. This is done to compensate for the increase in the number of frequencies per octave.  Each octave is reduced by 6 decibels, resulting in a noise sound wave that has equal energy at every octave

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